I found myself looking at the way
Regi was using the silent moments through her stories and even though I wasn’t fully
emerged in some parts of the stories because I was concentrating myself to
every single details of how one memory will link another and how she was making
a transitions. I saw myself walking deeper and deeper into her house, arriving
at the most private part and listening to her parents death. It was interesting
to me that she mentioned "I need to know who I am not?" and ever
since we started the class and references in "The right to speak" and
"Letters to a young artist" text touch on the voice we have. Knowing
what we represent and staying true to ourselves, our voices, and ways we
are. Regi also mentioned that she was
tired of being told what to be or who to be in her professional life and that's
how she came to do what she does now. I see that example as another link to how
we need to approach stories. Be our own boss of our own stories and do what we
want and not what others may want.
The initial activity we had in
class was interesting because it brought random memories that I haven't thought
about in a while and almost at the end to share something very personal that I
have only share with a few people. I am fascinated on the way we are exploring
images of our memories and we are looking at them in fractals.
As
I was ridding the motorcycle
back from the ISC I decided to take some back roads. The entire time I
kept
thinking "my head is a balloon, my shoulders are relax and I my presence
on this motorcycle is connected to everything from my left foot and hand
(gears
control) while right foot and right hand (speed control). The ride was
very
smooth and I need to find a way to look at my stories in the same view
so that
they too become smooth. Why did I take those back roads? Not sure, I
just
following my "gut." I stopped at a "trail head" of a hiking
path I haven't explored and walked for a few minutes and all of a sudden
a
First Responder EMT officer is trying to make a u-turn and I ended up
directing
him until I spoke to him to keep the tires opposite in order for the
trailer to
move the direction he wanted. Sometimes I feel that when I take a
different direction in my stories it could be what some one needs to
hear (like the help I was able to give that officer).
Idilio
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